A new job from groundbreaking designer Zaha Hadid, the only lady to have won the prestigious Pritzker Prize, has been revealed in new York. Dubbed the “Queen of the curve,” Hadid died in March 2016 at age 66, however many of her jobs are being completed posthumously, including the residences of 520 West 28th in the heart of Chelsea. It’s both the first as well as last residential building in new York to bear Hadid’s personal stamp. Below, we share a look inside.
The high-end 11-story advancement along new York’s famous elevated park, the High Line, has 21 interlaced levels designed in Hadid’s signature sinuous lines. The 39 residences are priced from $4,950,000 to $50 million for the triplex penthouse, as well as the move-in date is slated for the summertime of 2017. The stainless metal exterior wraps around to type an L-shape. To produce the curves, each panel of cladding was laser-cut.
Photographer: Renderings by Hayes Davidson
Designer: Zaha Hadid, Ismael Leyva Architects
The fluid lobby has views of the adjacent High Line. According to Tiago Correia, the U.S. director of Zaha Hadid Architects, “It’s sculpture inhabited. We made a building that extremely intentionally blurs the lines between art as well as architecture,” he explains. “That’s our method to pay tribute to the location, to Zaha’s work, as well as to the burgeoning way of life in the area.”
Photographer: Renderings by Hayes Davidson
Designer: Zaha Hadid, Ismael Leyva Architects
Even the automated 12-car garage is lavished with Hadid’s famous curving lines, turning what is usually a utilitarian concrete box into a sleek, spectacular coffer for a high-performance machine. Residents drive onto the platform which lifts the vehicle to its designated car parking spot.
Photographer: Renderings by Hayes Davidson
Designer: Zaha Hadid, Ismael Leyva Architects
A skylight floods the 75-foot saline-system swimming pool with natural light.
Photographer: Renderings by Hayes Davidson
Designer: Zaha Hadid, Ismael Leyva Architects
Designer Jennifer publish was commissioned to provide the furniture as well as decor for system 20, a 4,500-sq.-ft., $15M, four-bedroom home. The kitchen area island is made of curvilinear sculpted white marble, with high-gloss developed millwork from Boffi’s Xila collection. Butter-yellow stools keep the pristine combination from feeling as well clinical.
Photographer: Scott Francis
Designer: Jennifer Post
Pops of color from the contemporary art add life to the soft combination in the living room. “Here, I am respectfully producing a vision that coexists with the vision of one of architecture’s biggest minds. This prompted me to truly think about every move, every decision in a different, special way,” states Jennifer.
Photographer: Scott Francis
Designer: Jennifer Post
Jennifer’s style of the bathroom includes a sculpture to add interest. views of the High Line as well as empire specify building likewise play a starring role, thanks to floor-to-ceiling windows.
West Chin, primary of West Chin Architects, designed system 12, a 1,700-sq.-ft., $4.9M residence. Flat-face contrasting cabinetry without any hardware is typical of Chin’s clean, contemporary style.
Photographer: Scott FrancisDesigner: West Chin
Dieses Schlafzimmer von West Chin wurde hergestellt, um die Bewohner wie das Design zu fördern. Halbkreisfenster sind eine der einzigartigen (und kostspieligen) Funktionen, die dieses Gebäude auszeichnen.
Fotograf: Scott Francis
Designer: West Chin